{"id":990,"date":"2019-09-27T09:30:30","date_gmt":"2019-09-27T16:30:30","guid":{"rendered":"http:\/\/silentsky.net\/wordpress\/?p=990"},"modified":"2019-09-27T09:32:29","modified_gmt":"2019-09-27T16:32:29","slug":"my-favorite-kick-drum-mic-stands","status":"publish","type":"post","link":"http:\/\/silentsky.net\/wordpress\/archives\/990","title":{"rendered":"My Favorite Kick Drum Mic Stands"},"content":{"rendered":"<p><a href=\"https:\/\/www.zzounds.com\/a--2926052\/item--MUSMS94?siid=196028\" rel=\"nofollow\"><img loading=\"lazy\" src=\"http:\/\/silentsky.net\/wordpress\/wp-content\/uploads\/2019\/09\/onstageprokick-219x300.jpg\" alt=\"onstageprokick\" width=\"219\" height=\"300\" class=\"aligncenter size-medium wp-image-991\" srcset=\"http:\/\/silentsky.net\/wordpress\/wp-content\/uploads\/2019\/09\/onstageprokick-219x300.jpg 219w, http:\/\/silentsky.net\/wordpress\/wp-content\/uploads\/2019\/09\/onstageprokick-748x1024.jpg 748w, http:\/\/silentsky.net\/wordpress\/wp-content\/uploads\/2019\/09\/onstageprokick.jpg 841w\" sizes=\"(max-width: 219px) 100vw, 219px\" \/><\/a><\/p>\n<p>After years of recording and doing live sound, I&#8217;ve discovered that buying a mic stand for your kick drum is NOT where you should try and save some money. It&#8217;s just not worth it. A cheap stand will be tipping and slipping until you&#8217;re ready to pull your hair out. You&#8217;ll try all kinds of creative hacks involving duct tape, string, and sandbags to prevent it, only to have it happen again in the middle of a session or live gig. With that being said, I&#8217;d like to recommend a couple of specific mic stands that should serve you well in this application.<!--more--><\/p>\n<p>First is the DMS7E Low Profile Mic Stand from Atlas Sound. This is the stand that I personally own and use (I actually own two of them). It has a height adjustment range of 8&#8243; to 13&#8243;, which (combined with a boom arm) works well for miking most kick drums. With its heavy weight (7.3 lbs without a boom) and full-sized 10&#8243; round base, it won&#8217;t tip over with even the longest of booms or heaviest of <a href=\"https:\/\/www.zzounds.com\/a--2926052\/cat--Stand-Mount-Dynamic-Microphones--2838\">bass drum mics<\/a>. The clutch assembly for the height adjustment is also very sturdy, and won&#8217;t easily slip. This stand is basically a standard round base mic stand, but it&#8217;s just really short! The only down-side to this one is that it doesn&#8217;t include a <a href=\"https:\/\/www.zzounds.com\/a--2926052\/cat--Microphone-Boom-Arms--2825\" rel=\"nofollow\">boom arm<\/a>, which is pretty much a must-have for miking a kick drum, so that will cost you extra. Atlas also makes a slightly taller version of this stand (the DMS10E), but just like the DMS7E, it does not include a boom, so you&#8217;ll have to add your own.<\/p>\n<p>My next recommendation is the <a href=\"https:\/\/www.zzounds.com\/a--2926052\/item--MUSMS94?siid=196028\" rel=\"nofollow\">MS9409 Pro Kick Drum Mic Stand<\/a> from On Stage Stands. This stand (which wasn&#8217;t on the market when I bought my Atlas stands) boasts a height adjustment range from 9&#8243; to 13&#8243; and also has an oversized 10&#8243; round base. It includes a telescoping boom arm that adjusts from 21.5&#8243; to 36&#8243;, and the boom has a removable counterweight. With the counterweight removed, you can actually mount a second mic on that end of the stand (more about that later). I haven&#8217;t tried this particular stand yet, but it looks like a worthy contender, since it compares favorably with the Atlas: the size and weight are the same, the price is the same, and it includes a boom arm which you&#8217;ll have to purchase separately for the Atlas. I&#8217;ve also owned and used many other stands from On Stage and have had good luck with them&#8211;I even use a couple of their boom arms with my own Atlas stands (since they weren&#8217;t included). <\/p>\n<p>Also worth mentioning is the &#8220;big brother&#8221; to this stand, the <a href=\"https:\/\/www.zzounds.com\/a--2926052\/item--MUSMS94?siid=196029 \">On Stage MS9417<\/a>. It&#8217;s just like the MS9409 except for the taller height of the lower base section of the stand, which can be adjusted from 17&#8243; to 28.5&#8243;. This height makes it ideal for miking snare drums, floor toms, guitar\/bass cabinets, and acoustic guitars for seated performers. It also includes the same boom arm with removable counterweight as its smaller sibling. Like I mentioned earlier, with the counterweight removed, you can mount a second mic on the butt-end of the boom, which opens up some interesting possibilities for dual-mic setups, like maybe using a large-diaphragm condenser on the body and a small-diaphragm condenser on the neck of an acoustic guitar&#8211;using a single stand for both mics. Another interesting dual-mic technique would be using one stand with the boom in a T-formation for miking two floor toms. You could also use this slightly taller version for miking some bass drums: from outside the front head, or from the inside&#8211;if the hole is cut high enough or there&#8217;s no front\/resonant head installed on the drum. <\/p>\n<p>Don&#8217;t get me wrong. I&#8217;ve used other tripod-leg stands and stands with a funky-shaped cast-iron bases (such as <a href=\"https:\/\/www.zzounds.com\/a--2926052\/item--MUPMS7920B\" rel=\"nofollow\">this one<\/a>) that are supposed to be designed for miking a kick drum. Some of them worked better than others, but most required me to position the boom arm and mic in a particular way to prevent tipping. But even with careful positioning, they could could still tip over if the stand was bumped, the boom arm was over-extended, or the mic being used was very heavy (e.g. the <a href=\"https:\/\/www.zzounds.com\/a--2926052\/cat--Sennheiser-Microphones--3371\" rel=\"nofollow\">Sennheiser e602<\/a>). But I&#8217;ve never had these problems since making the switch to the stands with the full-sized round base. So do yourself a favor, save yourself some headaches, and invest in a good stand to use for your kick drum mic. It&#8217;s worth it. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>After years of recording and doing live sound, I&#8217;ve discovered that buying a mic stand for your kick drum is NOT where you should try and save some money. It&#8217;s just not worth it. A cheap stand will be tipping and slipping until you&#8217;re ready to pull your hair out. You&#8217;ll try all kinds of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,4,11,74,26],"tags":[274,40,262,271,42,268,41,213,214,270,275,276,273,269,272],"_links":{"self":[{"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/posts\/990"}],"collection":[{"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/comments?post=990"}],"version-history":[{"count":2,"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/posts\/990\/revisions"}],"predecessor-version":[{"id":993,"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/posts\/990\/revisions\/993"}],"wp:attachment":[{"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/media?parent=990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/categories?post=990"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/silentsky.net\/wordpress\/wp-json\/wp\/v2\/tags?post=990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}