April 28, 2020
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Posted by Jon (admin)
I’ve recently started jamming with some guys around the studio once in a while just for fun, but I ran into a slight problem: I need to keep my drum mics connected to my mic preamps so they’re always ready for recording drum tracks. However, I also needed to connect my drum mics to my live mixer (a Behringer X-Air XR18) so I can use my in ear monitors and add drums to the mix when jamming. So to put it simply, I needed a way to split the signals from my drum mics and send them to a couple of different sets of inputs. (more…)
Categories: Live Sound, Recording, Reviews, Tips for Artists & Bands, Tips for Engineers
| Tags: behringer, Drums, mic, microphone, mike, ms8000, Recording, Review, splitter
September 27, 2019
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Posted by Jon (admin)
After years of recording and doing live sound, I’ve discovered that buying a mic stand for your kick drum is NOT where you should try and save some money. It’s just not worth it. A cheap stand will be tipping and slipping until you’re ready to pull your hair out. You’ll try all kinds of creative hacks involving duct tape, string, and sandbags to prevent it, only to have it happen again in the middle of a session or live gig. With that being said, I’d like to recommend a couple of specific mic stands that should serve you well in this application. (more…)
Categories: Live Sound, Recording, Reviews, Tips for Artists & Bands, Tips for Engineers
| Tags: base, BASS, best, boom, DRUM, favorite, KICK, mic, microphone, mike, mount, recommended, round, stand, tripod
August 20, 2019
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Posted by Jon (admin)
In this post, I’m going to discuss a mic that I’ve owned for a number of years: the Sennheiser e609 (also referred to as the “e609S” or “e609 Silver”). Like its sibling and confusingly-similar named Sennheiser e906, this dynamic mic is designed for use primarily as a guitar amp mic, but you could just as easily use it on a snare drum or rack tom of a drum kit. It employs a side-address design (similar to many large-diaphragm condensers) that makes it ideal for hanging it by the mic cable from the top of an amp, with the capsule pointing straight at the speaker. Some people will try this same trick with other dynamic mics (e.g. the Shure SM57), but that generally doesn’t work as well, because the source is off-axis with relation to the capsule. So if you like doing that sort of thing for miking an amp, the e609 may be just the thing for you. Even if you’re not hanging it by its cable and are putting it on a mic stand, it’s side-address design keeps the mic cable and connector pointing up or down instead of out, allowing the mic to sit closer to the amp and more out of the way than an SM57 or other similar mic. (more…)
Categories: Live Sound, Recording, Reviews, Tips for Engineers
| Tags: 609, amp, amplifier, e609, e609s, e906, electric, evolution, guitar, mic, microphone, Review, Sennheiser
October 19, 2018
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Posted by Jon (admin)
The MXL A-55 Kicker is a dynamic instrument mic that’s specially designed for use on kick drums and other low frequency instruments such as bass guitar amps. The mic has a tailored frequency response that gives you plenty of low-end punch and beater snap–what you typically want and need in a kick drum mic. I wasn’t necessarily in need of another kick mic, but I picked up an A-55 when I saw a deal on one that was just too good to pass up. (more…)
Categories: Drums, Live Sound, Recording, Reviews, Tips for Artists & Bands, Tips for Engineers
| Tags: a-55, a55, BASS, DRUM, KICK, kicker, mic, microphone, mxl, Review