In Ear Monitoring with the Behringer X-Air XR18

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As I’ve written about previously, I’m the proud owner of a Behringer X-Air XR18 digital Wi-fi mixer. I love this thing. After using it for about a year now, I could never imagine going back to an analog mixer and a huge rack full of heavy analog gear for my live sound system. One of the things I like about the XR18 is its flexibility. When I recently decided to go to a wired in-ear monitor system for myself (I’m the drummer in the band), I discovered there are no fewer than 3 options for doing so with the XR18. The other guys in the band will continue to use floor wedges, but after getting accustomed to using in-ear monitors at church for several months now (and abusing my own ears mercilessly for over 25 years playing drums), I decided to do the same thing with my own PA system. (more…)

Why My Church Needed the Behringer X32 (and Yours May Too)

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The church where I attend (and play the drums in the worship band) recently remodeled our sanctuary. This included new lights, paint, carpet, and expanding the size of our stage. As part of this project, we also installed an all new sound system. Like many churches of our size, we’ve undergone a fairly recent transition from more traditional piano and organ-based music to a live band with guitars, bass, keyboard, and drums, so the old sound system was woefully inadequate for our current needs. For the new mixing console, we ultimately chose the Behringer X32. And boy, am I glad that we did. It’s been a real answer to our prayers (pun intended)–solving many of the problems and overcoming the limitations of our old analog system. For those of you who might be facing similar issues with the sound system in your church, I’d like to highlight some of the stellar features of the X32 which we have found to be a real God-send (again, pun intended). (more…)

Behringer X-Air XR18: the Future of Live Mixing

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A few months ago, my trusty old analog mixer that I had used since 2008 developed an intermittent short in one of the aux sends. Unfortunately, this was one of only two pre-fader aux sends on this mixer, so I was using it for one of two monitor sends for band rehearsals and live gigs. This board had a total of 4 aux sends, but two of them are post-fader, and are therefore unsuitable for use as a monitor send. (more…)

The Best Microphone for Live Vocals on a Budget


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Over the course of the last several decades, the Shure SM58 has become the de-facto standard vocal microphone for live performances. And for good reason: it’s built tough, reasonably priced, and generally sounds great on just about any voice. With a price tag of around $100, the SM58 may still seem out of the price range of some musicians, tempting them to look for other cheaper alternatives. But in the remainder of this article, I’ll attempt to persuade such frugal buyers to think twice before compromising, and why you should definitely buy the SM58 if you are able. (more…)

Review: Behringer Ultragain ADA8000 Mic/Line Preamp & A/D/A Converter

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If you’re looking to expand the inputs and/or outputs of your recording interface, and that interface comes equipped with ADAT (also sometimes called “Lightpipe” or “Toslink”) inputs and outputs, look no further than the Behringer Ultragain ADA8000. The ADA8000 is an 8-channel Mic/Line preamp and A/D (Analog-to-Digital) converter. But as a bonus, it’s also an 8-channel D/A (Digital-to-Analog) converter. This comes in handy if you need additional analog outputs from your DAW, like maybe for mixing “out of the box” using an analog console, or if you need additional analog outputs for creating headphone mixes for multiple performers while tracking in the studio. (more…)

Review: Behringer Ultramatch Pro SRC2496 A/D/A & Sample Rate Converter

The Behringer Ultramatch Pro SRC2496 is a Sample Rate & A/D/A Converter that allows you to transfer digital audio between devices with different sample rates, formats, or interfaces, and remove dropouts or jitter from digital media. The various digital outputs can be used simultaneously, allowing the unit to also serve as a digital signal splitter/patchbay. The SRC2496 also provides up to 24-bit/96 kHz A/D/A conversion, making it what could be the most affordable stereo A/D/A converter on the market. (more…)

Review: Behringer Behritone C50A

The Behritone C50A

For quite some time now, I’ve known about the merits of checking your mixes in mono to test for phase problems, and having some “grot boxes” (cheap, lo-fi speakers) to see what your mix will sound like on a less-than-stellar playback system. The idea behind the mono grot box is this: who cares if your mix sounds great on your studio monitors if it sounds like garbage on most listeners’ playback systems? (more…)