How many times has this happened to you? You’ve been slaving away for hours, even days, mixing your latest musical masterpiece in your home studio. Everything sounds absolutely perfect. Then, you burn it to a CD, jump in the car, and pop it in your CD player. You’re ready to hit the open road and jam out to the greatest tune you’ve ever recorded. Then, the CD starts playing. You’re underwhelmed. The CD sounds dull and lifeless. There’s not enough high end. There’s too much low end. And what happened to the snare drum? You can hardly hear it at times because it’s being buried in the mix by other instruments. Continue Reading »

As the owner of a recording studio, and a musician who has successfully released a few independent CD’s, I’m often asked by aspiring bands and musicians about how to properly market themselves. One of the first things I tell them is, “you need a website”. And I mean a real website. Not just a Facebook or MySpace page–a real website. Having your own website separates the men from the boys when it comes to the business of your band. Here are a few of the reasons why you need your own website. Continue Reading »

I recently bought a second drum kit to use for live gigs to save myself the trouble of constantly setting up and tearing down, and to reduce the wear and tear on my main kit. So I bought a second kit used, but the only catch was that it didn’t include a snare drum. So I set out on a quest to buy one.

I began scouring the Internet for snare drums and came across the Ddrum Shawn Drover “Heavy Hitter” model. Continue Reading »

A couple of years ago, I read a book called “Guerrilla Home Recording: How to Get Great Sound from Any Studio”. A neat tip that I picked up from the book is to record the signals from both a DI box and a miked bass amp to different tracks. Then you can blend the two tracks together to get a different tone for different songs. You’ll get a very clean tone from the DI box (because it’s coming straight from the bass guitar’s pickups), and depending on how hard the amp is driven, you’ll get some grit and distortion, and more color from the miked amp. I’ve used this technique with some limited success. Continue Reading »

by Jon Goad

As the owner of a recording studio, one very common question that I’ve been asked is, “can I record a cover song and put it on my CD?” To which I’ve usually answered, “you can, but you have to get what is called a ‘mechanical license’, and it can be kind of a pain. If you’re serious about it, just go Google-search ‘mechanical license'”, to which most people respond with a “deer-in-the-headlights” kind of look. Continue Reading »

In this installment in my series of articles on Samplitude 11 Producer, we’ll cover one of the features that I use probably more often than any other: the Mixer window. I believe that the virtual Mixer is probably one of Samplitude’s strongest points. I’ve used some other DAW software in the past where all of the mixing controls were accessible from the equivalent of S11P’s Arrange window (the main user interface where most of the editing is also performed). This works okay, but for someone who’s accustomed to working with a real mixer, it takes some getting used to. On the other hand, S11P’s Mixer window is laid out almost identically to a real hardware mixer. The only difference is, if you don’t have enough mixer channels, you don’t have to buy a new mixer–you can just add channels with a mouse click (cool, huh). Continue Reading »

In Part 1 of this series, we covered the evolution of Samplitude 11 Producer as a product. Here in Part 2, we’ll begin to cover some of the highlights of the software in detail. First, we’ll begin with the Arrange window. The Arrange window is where you see a visual overview of all of the tracks in your project, as well as one or more Wav files or MIDI passages on each track. It’s in the Arrange window that you can do things like zoom in on a track and perform delicate editing on a particular passage. Depending upon the zoom level, you also have common track functions available on each track–controls like Volume, Pan, Mute, Solo, and Record (to arm the track for recording). Also on each track, you will see one more “objects” that represent the Wav files or MIDI passages that have been recorded on that track. This brings us to one of the nicest features of S11P–object-based editing. Continue Reading »

Samplitude 11 Producer is a Multitrack Recording Software Application, and is the latest version of what used to be called “Magix Music Studio Deluxe” and subsequently “Samplitude Music Studio”. Music Studio Deluxe started out as two separate programs–MIDI Studio and Audio Studio. Starting with version 12, they combined the MIDI recording functionality into the Audio Studio and renamed it “Samplitude Music Studio”. They kept this name up through version 15 here in the US. They also released a version 16 in Europe, but it was never released to the US market. Continue Reading »

When discussing modern recording techniques, you can’t get far without someone bringing up the topic of compression. If you’ve seen a compressor in the mail-order music catalogs or online music store, but never understood what it was or why you might need it on your recordings, sit tight. Continue Reading »

I recently rearranged the control room in my project studio so that I could add a second LCD monitor to my computer. Before adding that second monitor, I was using a desk with a shelf that would support both my computer monitor and my nearfield monitor speakers. But after adding the second monitor, the desk was no longer wide enough to hold all 4 (two computer monitors plus 2 monitor speakers). However, the desk was too wide to allow room on each side for monitor speaker stands, so I actually needed a smaller desk. Continue Reading »